conuly: (Default)
conuly ([personal profile] conuly) wrote2025-10-28 02:16 am

This Is The First Thing by Philip Larkin

This is the first thing
I have understood:
Time is the echo of an axe
Within a wood.


**********


Link
conuly: (Default)
conuly ([personal profile] conuly) wrote2025-10-27 12:10 am

It's that awful time of month again.

Boo.

(Wait, and also nearly Halloween! Boo!)

************


Read more... )
hannah: (Across the Universe - windowsill_)
hannah ([personal profile] hannah) wrote2025-10-28 09:27 pm

Hanging just beyond.

It's my Livejournal's birthday today. I'm always a little taken aback when I get the emails about it - a bit of "really? that thing's still on?" and a bit of "it has been a while since high school." Most years it passes by with just those thoughts, a day in, a day out, and for most of today it was going that route up until I heard Cameron Crowe at Symphony Space.

Not Cameron Crowe for the innate value of Crowe himself, not Crowe for the shine of someone worth all the applause, not for someone who said Joni Mitchell could talk in third drafts and said music is a way to tattoo moments. He spoke well, he read aloud with a lot of charm, he answered questions thoughtfully, and when the interviewer asked the last question of the night - whether there was still hope for music to blow his mind the way it used to. Crowe leaned over, put his hand on his arm, and said to keep hoping. Words to that effect, at least; I lost the exact phrase in the immediate applause right after. And very much words to that effect. Keep hoping, stay open, keep listening.

It sparked the memory of my dad saying it's hard for music to hit him the way it used to, and of several memories reading different people's comments that they wish music could hit them the way it did when they were in high school, or college, or some other point in their life that's simply when they were younger and, I suspect, didn't have as much on their minds and hadn't heard nearly as much music. It goes beyond having listened to a lot more and having had the world sand down a lot of the edges. There's some of it - how much, I don't know - about not being open to having your mind blown. Of course it takes more work to blow your mind when it's already been blown so many times already. And to say it can't, it won't, is to commit to a self-fulfilling prophecy. If you're not open to it, if you don't keep looking, of course it won't happen.

I got a lot of good music in college and grad school, true. And I've heard so much since then, I'll often come across a new song and it'll strike me as a very good one, a superb variant on something I already know, a clever turn of phrase that's a pleasant arrangement of words. And I'm still willing and open to hearing new music, and it's true it doesn't happen as often that I hear a song that makes the world feel absolutely new, and it's true that it still happens.

My Livejournal's old enough to graduate college. It would've spent the last four years listening to music it never could've imagined, and in a density and intensity that's probably not going to come around again. And it's going to be listening to more music than it can believe.

To stay open and keep listening. To periodically get a reminder to keep hoping.
sartorias: (Default)
sartorias ([personal profile] sartorias) wrote2025-10-28 08:18 am
Entry tags:

Boston

I love Boston so much, especially this area around Harvard. The trees are rich with color, the air is brisk, requiring all my layers of flimsy California-wear, and the sidewalks brick with lumps of tree roots. I love it all.

Yesterday I went with Nine to the Mapparium on the other side of the river. (The bus ride down Massachusetts Ave is great for scenery!) If you've never heard of it--I hadn't until one of the Viable Paradise workshop writers clued me in--it's an enormous glass globe that you can walk into, to see the entire world, worked in jewel-toned glass, as it was in 1935. It was constructed to be a reminder that we are all in this world together; a needed warning then, as now. (Naturally those who need it most won't see or hear.)

We had a great time looking, then testing the amazing sounds created by voices enclosed in glass.

Afterward we met up with Rushthatspeaks for tea and chocolate at L.A. Burdicks. Oh, they know how to do chocolate so, so right. Delish. We chatted and reminisced and cackled like maniacs. Today we'll visit the Fogg to see a Botticelli that is usually hidden in a private collection. I can hardly wait!

I'm coming down from the high of a very successful workshop, and a month of splendid visiting and seeing and fast-lane busy. The workshop writers are so talented and so focused, and all this in beautiful Martha's Vineyard.

Tomorrow homeward bound!
silveradept: A head shot of a  librarian in a floral print shirt wearing goggles with text squiggles on them, holding a pencil. (Librarian Goggles)
Silver Adept ([personal profile] silveradept) wrote2025-10-27 10:01 am

So You Want To Participate In A Fandom Exchange.

[The folks at [community profile] holly_poly wanted a little exchange primer for people who haven't done things before, and since I'm helping out a little bit on their socials side, I thought I'd put one together, based on my extensive experience over the years in participating. If you've never taken part in one, I highly recommend it, they're fun. And if you have additional information to contribute, please do!]


So, you're thinking about participating in a fandom exchange, and you're not entirely sure how this process all goes? Don't worry. Here's a walkthrough of what exchange participation looks like, from the first parts of nominations to the joys of reveals. Since a fair number of exchanges are run on the Archive of Our Own, this guide assumes you already have an account there to sign up with. If not, they're free to get, but they might take a little while to get to you in the queue, so getting one now, before the meat of an exchange starts, will ensure that you're ready to participate.

Let's get into it with the first phase of an exchange - nominations.

Nominations



Nominations is the part of the exchange where you get to suggest what kinds of things should be included in the exchange's tag set. Nominating does not obligate you to sign up afterward, but a lot of people will if their nominations get through because then they know they'll have something they'll be excited to write about. Most nominations are also finite, so even if you're brimming with things you want to see, you'll only get to put in so many into the tag set.

Nominations have to fit the exchange's focus and format. For something that's just a general exchange, anything might be possible, but most exchanges focus on specific fandoms, characters, situations, or relationships. Holly Poly, for example, is a polyamory-focused exchange. Holly Poly nominations must include more than two entities in them, otherwise it wouldn't be a polyamorous relationship. And since it's about polyamory, they want "/"-type relationships that are romantic or sexual, rather than "&"-type relationships that are platonic and don't have romantic or sexual components to them. If I Fics, I Sits, however, says that anything can be done, so long as there's a cat in the relationship, since it's focused on cats.

Where possible, try to use the canonical tag on AO3 for nominating. Two things to remember when you're doing nominations for Holly Poly or any other exchange hosted on AO3:
  1. AO3 does not do ship names, so if what you want is Zutaraang, you have to put in "Zuko/Katara/Aang." Yes, they make you spell it out.
  2. All canonical AO3 ships are in alphabetical order, by last name, if the character has one, and by their only name if not, so that Zutaraang relationship is in the AO3 database as "Aang/Katara/Zuko". The autocomplete can try to help you some if you put in at least one of the participants, but you'll have to wade through the dropdown to get to the thing you want if AO3 thinks you're looking for something else first.


Make sure you also check anything the exchange mod has posted about any deviations they might be making from AO3 canonical tags for their exchange. Sometimes a tag tries to slide into another place and the mod has to change the tag to make it stay in place, or separate shows / games set in the same continuity are being combined into a single universe tag. Or exchange moderators will ask you to nominate the most specific version of the character or relationship as possible, because characters and their relationships do change between media adaptations, and sometimes fans have strong opinions about which version they want to see.

Once you've nominated, keep your eyes out for any "clarifications" posts, because those happen when the exchange moderators detail the problems they're having with nominations. It can be something as simple as having nominated characters and relationships under the incorrect fandom, and sometimes it's as complex as trying to disambiguate which of the six canonical versions of a spandex-clad superhero was intended in a nomination, or whether it will be up to the people signing up to work it out for themselves which one they want. If you're the nominator, then you get to provide additional information to help the moderators place your nomination correctly. Moderators will also usually provide a threat to make sure that information comes in a timely manner, with the idea that either a nomination will be selected to be something, or the nomination will be rejected from the tagset, if clarifying information doesn't arrive by the deadline.

Signups



Set some time aside when it's time to do sign-ups.

More than that.

Still more.

Why? Because unless you're here only for the things you nominated and nothing else, you're going to want to spend some time looking at the tag set. Even if you are here just for the things you nominated and nothing else, you want to look at the tag set. There are a lot of gems in there, from properties you haven't thought of in years, or other popular things, or pairings that you might not have thought of initially, but there's a germ of an idea in your head about what you could write if you were assigned that, and now you're interested.

I'd also look in on the Crossovers and the Original Works tags, if you want to see some of the really fun ways that people imagine relationships and what kinds of worlds they envision or want to collide together. Original Works is also where a lot of the Omegaverse prompts live, but even if you're not an Omegaverse fan, some of the prompts in there can be creative sparks without having to try and figure out how to make existing characters work with it.

If you don't have enough from your nominations and the tag set by itself, some people start looking at the sign-up summaries, once they're posted, to see what other people have posted in their optional details field. It's still true that Optional Details Are Optional, but hearing someone describe what they do and don't want to happen in a work can help someone decide whether they want to offer that combination, or possibly stay away from it if the person who is offering it has Do Not Wants that would conflict if they were assigned that recipient.

Between nominations, tag set looking, and sign-up summary reading, it should be possible to build enough things to request and offer that meet the minimum requirements the exchange has set forth. So let's look at the sign-up form. It's split into two major sections: requests (what you would like to get) and offers (what you're willing to make for a potential recipient). There's a minimum number of each that you'll have to provide to successfully sign up for the exchange. The AO3 matching code works better with more options than fewer, so signing up with as much as you can is preferable to signing up with the minimums, but you should always only sign up with things you'll want to create or receive. The AO3 matching algorithm has the Bastard's sense of humor, and if you put in something that you're only half-hearted about, it will ensure that you match with your recipient or your gifter on that thing and nothing else.

On the requests side, the form will ask you for what fandom your request is in, then what relationship(s) from that fandom you're requesting. Both fandom and relationships should match exactly what's in the tag set, or your sign-up will be rejected with errors. The autocomplete dropdown will try to help you get the exact tag from the tag set, but on those rare occasions where the dropdown isn't helpful, copying and pasting the tag exactly as it is from the tagset should still allow it to go through.

After that, choose from the tickyboxes about what kind of thing you would like to receive. Common items there are fic (written), art (still drawings and/or comics,), vids (video content, usually re-cut footage set to music or some other audio track), and podfic (an audio track recorded by the gifter or the gifter and others). Most exchanges, if they're not specifically about vids or podfic, will usually just have fic and art in this space.

After saying which fandom you want, which relationship(s) you want, and what form you'd like to receive a gift in, there's the Optional Details section. The first rule about Optional Details is that they are optional. The person who is creating for you is not obligated to follow any of your optional details, but many people who are looking to make gifts will find those details useful to give them a direction to go in. A good reason to provide optional details in some form is that if you don't, the person gifting you the work is likely to write what they will enjoy, and there's no guarantee that your tastes will line up completely, even if you match in the algorithm. If you don't leave anything as a guide, you are tempting fate, and if I haven't mentioned it enough already, the AO3 algorithm has the Bastard's sense of humor and will give you someone who can complete an assignment that fulfills all the requirements and may not be anything like what you wanted.

The one exception usually granted to the Optional Details Are Optional (ODAO) rule is the Do Not Wants (DNW). Do Not Wants are the stuff that if it appears in a gift work will sour it immediately and permanently, no matter how well it's done, how tastefully it might be done, or how small the quantity of it is. You know people who have allergies so severe that they go into anaphylaxis even at the slightest inclusion of an ingredient in their meal or the presence of it in their environment? That thing that causes them such problems is a Do Not Want. It's poor form to use your Do Not Wants to box your gifter in to giving you something that is extra-tailored to you, if those things really aren't Do Not Wants, and some exchanges will say explicitly that they won't enforce Do Not Wants they consider unreasonable. Better to say what you do want and hope your gifter will follow that and leave the Do Not Wants for those specific things that will just turn you off the gift completely.

In your Optional Details, you can also indicate whether you'd like to receive treats, works created by someone other than your assigned gifter that otherwise meet the requirements of the exchange. Treats are generally pretty neat to receive, but sometimes a person doesn't want them, for their own reasons. If you do want treats, you'll also want to make sure that your AO3 account preferences have "Allow anyone to gift me works" checked, or any possible treats will fizzle.

The last field on the requests side is a place to link to your "Dear Creator" letter. Some people find it easier to put all of their optional details into a single entry, whether on Dreamwidth or Tumblr or somewhere else, and then point their gifter to that letter for things like what they like, what they dislike, possible prompts for their gifter to work off of, and the like. The "Dear Creator" letter is considered to be part of the Optional Details, and many times, exchange moderators say they won't enforce any Do Not Wants in a creator letter, because the letter itself is not required to be read, so make sure that you put your DNWs in the Optional Details box, just to be safe.

Okay, time for the offers side. The offers side works mostly the same way as the requests side, with choosing a fandom, relationship(s), and media, but for what you want to offer to someone else. Same rules apply about only offering what you want to create, because the AO3 matching algorithm is even more perverse on this side of the sheet than it is for request matches. It will almost unerringly choose the one that you were least enthusiastic about. The optional details field may still be Optional Details, but in some places it's re-titled as "Notes to Mods." This may be a place where you can mention if there are particular users that you don't want to match with, for whatever reasons you may have for this. There's no guarantees that such preferences can be accommodated, but those who are forewarned will do their best.

Once you've made your sign-up list and put in your details, click submit and wait. If you've forgotten something, or AO3 balks at something, the sign-up form will return, with highlighted spots where the errors are. If you succeed, you'll go to the sign-up summary page, and you'll see your own sign-up now in the list for other people to peruse and see if they can gather anything from your sign-up to assist their own.

Your Assignment



In normal circumstances, the AO3 algorithms will generate matches in such a way that every valid sign-up set will have one match of a fandom/pairing/medium trio in their requests with a fandom/pairing/medium trio in someone else's offers. In rare situations, a sign-up's request set may have no matches in anyone's offer set, or might only be able to match with someone who has already been matched with someone. In such rare cases, the moderators will reach out to the unmatched user and ask if they want to add requests to their sign-up. Adding additional requests and re-running matching often reshuffles everything so that everyone is matched. On the occasion that someone isn't matchable and doesn't change their sign-up, they'll usually head to the pinch hit list.

In any case, after matching, you should receive an e-mail from AO3 with your assignment for the exchange. Your recipient has matched you on at least one fandom/pairing/medium trio. Sometimes it's only one, sometimes there's more than one compatible match in the set. Your responsibility, once you have an assignment, is to produce a new work that meets one of the requests on the list, avoids the stated DNWs, and is sufficiently long/detailed to meet the requirements of the exchange. You don't necessarily have to create the thing that you matched on if something else catches your fancy, but you do have to create something off the request list put in front of you. The match is there to make sure there's at least one thing on the list that you said you wanted to create and they said they wanted to receive.

Your assignment is a secret.

Your assignment is a secret.

Because there's a good chance that you're in the same social spaces as your recipient, and you don't want to spoil the surprise! Even oblique hints about what you're creating might be enough for your recipient to deduce that you're their gifter. Run silent, run secret. The secret period extends from your assignment through the reveals of the works to the point where the authors of the works are revealed. Therefore, in your assignment, you cannot use the Notes or any other means to identify yourself as the creator of the work. Not even obliquely. Don't talk about the work anywhere during the anonymous period. Don't reveal who your recipient is.

If you have questions about your assignment, or need clarification on anything, contact your exchange moderators. If needed, they'll relay your question to your recipient, usually with some obfuscation in the form of other relevant questions to their sign-up and requests so as not to tip off the recipient about which of the things being asked about is the important one. Then they'll relay the response back to you.

Your assignment also comes with a deadline. Your completed work that conforms to the requirements of the exchange must be submitted to AO3 before the time posted as the deadline. The deadline is often something like midnight or 11:59pm on a specific day, but check the time zone. If it's UTC, that may mean you have more (or less) time than you think. I generally try to have my assignment done and submitted the day before the stated day of the deadline, just so that I don't potentially trip over any time zone issues.

To fulfill your assignment, you'll need to log in to AO3, and then choose "My Assignments" or "Assignments". You'll be presented with a list of all the exchanges you've received an assignment for. Scroll to the right assignment and click "Fulfill". At this point, you'll be taken to the AO3 New Work page, with a couple of key details already filled in about what exchange you are submitting this to, and who the gift recipient will be for the work. Everything else you fill in just as you would for any other AO3 work, with one exception. AO3's anonymity mask does not extend to series. If you put your work as part of a series, your recipient can click on the series title and be brought to the series page, with the author of the series unmasked, spoiling the anonymity. Series must be edited in after the anonymous author period expires.

If you know you're not going to get something done in time, or that you can't make the requirements, on your assignment page, there's a "Default" button next to the "fulfill" button. Most exchanges have a "no-fault default" deadline around a week before the deadline. Defaulting on your assignment means that you're saying you're not going to be able to complete something on time that meets the requirements. It happens, whether it's the well of creativity running completely dry, or life events conspiring to ensure that you have no time to complete your assignment, or any other reason. If you're not going to make it, and you know you're not going to make it, hit the default button as soon as you're sure. Doing it before the default deadline usually means you won't incur any penalty or be required to do make-up work before you can sign up for the next incarnation of the exchange. Default after the default deadline, or miss the assignment deadline, or turn something in that doesn't meet the requirements or hits someone's Do Not Wants will also likely incur a default, and there's a strong likelihood that you'll have to sit out an exchange round, or complete your assignment properly and give it as a gift, or otherwise pay a penalty of some sort before you're allowed to sign up again. Eject at the earliest point you are certain you can't complete the assignment to avoid being penalized for it.

Pinch-Hits



("Pinch hits" here refers to the baseball practice of substituting a different batter for the scheduled batter in the lineup, usually because the pinch hitter will have a higher chance of successfully getting on base and generating scoring potential.)

Every unmatchable assignment and recipient who has their gifter default and who has not defaulted themselves gets put on a list of people who need to have someone give them a gift. (Most exchanges run on the rule of "If you complete your assignment and gift someone else a work, then you must also receive at least one gift work based on your own requests.") This is the pinch hit list. ("Initial" pinch hits are unmatchable assignments, and "post-deadline" pinch hits are those that happen after the assignment deadline.)

Pinch hits are usually posted to a specific place, and will contain the entire requests portion of the sign-up for all interested parties to look at and make decisions about. Pinch-hitters are not limited to those who have signed up, but those who have signed up can collect pinch hits. (There may be a rule that you have to have completed and submitted your assignment before you can have a pinch hit assigned to you.) Initial pinch hits and early defaults will usually have the same deadline imposed on the pinch-hitter as regular assignments. As the assignment deadline approaches, pinch-hit deadlines will start to move past the initial deadline, but they will try to stay close to it. Pinch-hitters are often very good at turning around works quickly, sometimes because they see the request and go "oh, I know exactly what to do with that."

This may seem obvious, but no, you cannot pick up your own pinch hit. Even if it seems like that would be the easiest and most effective way of making sure it gets filled.

Betas



No, not the Omegaverse ones. Beta-readers.

It's not required, but it is recommended that if you have the time to do so, you run your assignment's draft form(s) past another pair of eyes to catch things like spelling, punctuation, and grammar (SPaG) errors, to have someone with lived experience in a specific community read the work to make sure that it doesn't perpetuate awful stereotypes about that community (sensitivity reading), or to see if the plot coheres and the timelines work, and the characterization makes sense for the fandom, and other such things that will improve the quality of the end product. There may be channels and places where you can make these requests, but remember, your assignment is secret. You cannot directly advertise for a beta because you might be tipping off your recipient with your request.

The Yuletide exchange has created the "hippo" system to deal with the necessities of keeping assignments secret while also getting beta requests publicized, and most other exchanges use a similar system. The "hippo" is usually someone with a specific role, whose purpose is to obfuscate who is making the beta request. Use private messaging to tell the hippo the important details of who your recipient is, what you need for your work, how long the work is, and what the turnaround time you need for the betaing is. Longer turnaround times have higher success rates, because most hippos are also working on assignments. The hippo will then make a post to the channel / community, passing along those details and asking for interested parties to message them directly and privately with their interest. On the high likelihood that the recipient offers to beta, so long as there are others willing to offer and one of them is selected, the hippo can politely decline the recipient with the excuse of "another's offer has been accepted," preserving the anonymity of the exchange, with the recipient none the wiser that they've offered to beta their own gift.

If you can, getting a beta reader / viewer is helpful and often can make the final product stronger. But it does require you to be more on top of your assignments such that you can take advantage of the extra time for polish. For some people, this will be impossible, which is why betas are usually recommended rather than required for your gift works.

Reveals!



Once everyone who has completed an assignment has a gift, the deadline has passed, and the exchange maintainers and moderators have checked and made sure that all of the gifts themselves meet the requirements of the exchange, the works are released!

However! The authors of the works are not. This is to preserve a period of time where the recipient, the participants, and any and all interested parties can enjoy the works without having their enjoyment influenced by whether or not the creator is well-known, a Big Name, a Professional Name using a pseudonym, or any other factors where the prestige of the person doing the work might overshadow the work and the work's enjoyment itself. During the anonymous period, any comments on the work by the work author will be noted as "Anonymous Creator."

In the rare case where a work is incomplete and was not caught by the exchange maintainers, or steps on a Do Not Want and wasn't caught by the exchange maintainers, let the exchange maintainers know as soon as possible! That will likely produce an emergency pinch hit need, but everyone is supposed to have a gift that meets the requirements and avoids the Do Not Wants.

By accident, I did a work that trod upon a Do Not Want. The recipient let the exchange creators know, and in this case, thought the work was excellent and accepted it and enjoyed it, but still let the maintainers know, so that I was duly chastised about it. I did offer to write something that would not be that, but it was not required of me. When I wrote something that hadn't been requested by a recipient, and they pointed this out, I wrote something that did match, with a certain amount of cussing out my inability to read. These things do happen, and they are often accidents, so giving the opportunity to make things right as soon as possible is the best thing for everyone.

If you have received a gift that conforms to the requirements of the exchange, it is customary to leave an indication that you have viewed/listened to the work that someone has gifted you. For some exchanges, more may be required of you, such as leaving a comment on the gift work, but the customary indication of something having been enjoyed, even if without any further comment, is the kudos button. Comments are lovely and very much appreciated by creators, but we also know that sometimes the recipient doesn't have anything to say, or doesn't feel like they can put it down in a coherent comment. All the same, please do indicate that you have at least viewed/listened to the work in question.

Once you've gone through your gift work (or works), then it's time to explore the rest of the collection! There might be more things in there with your favorite fandoms and ships, or you might discover a new ship or fandom to check out by reading the works in the collection. While the anonymous author period is still going on, you won't know who made it, but sometimes it's a good challenge to try and get through as much as you can before the author reveals happen.

Some writers also take this opportunity to manually set the date of publication for their work. In a fast-moving fandom or a popular ship, things can fall off the first page of "Arranged By Date" very quickly. With the period of time between when something is submitted and when reveals of works are, a work might finally appear on page two or three once reveals happen. Generally, if a work is being re-dated from the original submnission date, it can be brought forward to the reveal date of the works, so it will have the opportunity to at least exist for a little while on the front page. (For less popular ships, even with the delay, the work might still be the top of the first page. You never know.)

Author Reveals!



Usually seven days after the works are revealed, the author anonymity period ends, and you can see who all the writers were. That might mean that you have some new people to follow and subscribe to. At the point the author anonymity ends, all the people who have subscriptions to you will also be notified that you've written something new, and the rest of AO3 will have the opportunity to see it regularly, instead of in the anonymous period.

With the reveal of the authors, the exchange is usually finished, with the exception of any post-event question and answer sessions or feedback requests. There's all the stories to be enjoyed, the comments and kudos to be had, and the brainstorming for what you might want to write about next time around. Or to go off with a fistful of new fandoms and possible pairings and canons to look at.

Congratulations for participating in the exchange!
scripsi: (Default)
scripsi ([personal profile] scripsi) wrote2025-10-27 12:38 pm
Entry tags:

Fanfic meme, A to Z

Gakked from all over my f-list.

Rules: How many letters of the alphabet have you used for starting a fic title? One fic per line, ‘A’ and 'The’ do not count for 'a’ and ’t’. Post your score out of 26 at the end, along with your total fic count.


Whenever a letter has more than one fic, I have shamelessly chosen the one I felt most to share. Leaning towards one-shots, and trying to spread the fandoms around.


A. All That You Love Will Be Lost (Doctor Who, Ninth Doctor & Nyssa of Traken)
B. But A Dream (Victoria, Queen Victoria/Lord Melbourne)
C. A Conversation In the Drawing Room, And Other Letters to Mrs. Strange (Jonathan Strange & Mr. Norrell, Emma Pole/John Childermass)
D. The Devourer (Peter Pan, Captain Hook)
E. Elizabeth’s Child (Emily of New Moon, Elizabeth Murray)
F. The First Passion, And the Last (Doctor Who, Twelfth Doctor/River Song, Missy/River Song)
G. A Gift For Her Heart (Ivanhoe, Rebecca of York/Brian de Bois-Guilbert)
H. Homeward (The Borgias, Cesare Borgia/Micheletto Corella, Lucrezia Borgia & Micheletto Corella)
I I Always Wanted To Be A Pirate Queen (Doctor Who. Liz Shaw & Delgado!Master)
J. Juliana and John (The Man In the High Castle, Juliana Crane & John Smith)
L. Little Miss Sunbeam (Doctor Who, Delgado!Master & OC)
M. Make Her Yours (The Queen’s Gambit, Beth Harmon/Vasily Borgov)
N. Nothing Interesting Ever Happens in Perivale (Doctor Who, Sarah Jane Smith & Ainley!Master & Third Doctor)
O. Only Forever (Labyrinth, Jareth/Sarah Williams)
P. A Place In the Shadows (Penny Dreadful, Vanessa Ives & Sembene)
R. Requesting Comfort (Agent Carter, Peggy Carter/Ana Jarvis/Edwin Jarvis
S. Susan, Once Queen of Narnia, Always Queen of Narnia (Piranesi & Chronicles of Narnia, Piranesi & Susan Pevensie)
T. Three’s Company (The Mummy, Ardeth Bay/Evy Carnahan O'Connell/Rick O'Connell)
V. Visiting Time (Doctor Who, Delgado!Master/River Song)
W. Wedding Nerves (Jonathan Strange & Mr Norrell, Jonathan Strange/Arabella Strange)
Y Yellow, Sweetie? (Doctor Who, Eleven Doctor/River Song)


22 letters out of 26 covered. I missed out on K, Q, U, and X. But with 123 fics, I'm not surprised I have covered most of the alphabet.
brithistorian: (Default)
brithistorian ([personal profile] brithistorian) wrote2025-10-26 10:04 pm
Entry tags:

Wow! That's a lot of words!

I stumbled on a list of word counts of famous novels and discovered that my longest piece of fanfic is approximately 16,000 words longer than Moby Dick!

scripsi: (Default)
scripsi ([personal profile] scripsi) wrote2025-10-26 07:43 pm

The Agatha Christie reread: 4.50 From Paddington

Not only is 4.50 from Paddington (1957) one of my favourite Christie’s, it’s also the one I have re-read the most, and it also has one of my favourites among her characters.



On the train to see Miss Marple, her friend Mrs. McGillicuddy observes a man strangling a woman on a train that is temporarily beside her own. She and Miss Marple report the crime, but as no body is found, the police dismiss it all as a dream. Miss Marple, of course, thinks otherwise. She figures out that the body must have been thrown out of the train on the Crackenthorpe estate, and manages to get help from her friend Lucy Eylesbarrow, who gets a job at Rutherford Hall as a housekeeper.The Crackenthorpe family is a fine collection of Agatha Christie tropes. The elderly family father who keeps a thigh rein on his money. The spinster caretaker, the bohemian artist, the successful businessman, with a wife from a noble but poor family, and lastly the never-do-well son. There is also the daughter who died young, but her husband, the war hero, is around. Another son died in the war, and the dead daughter has a teenage son who sometimes visits. To complete the picture there is also the family doctor who seems very interested in the spinster daughter. Lucy manages to find the dead body secreted away in a barn, and then she and Miss Marple need to find out who she was, and also which one of the many men having access to the estate who is the murderer. Needless to say Miss Marple figures it all out, through there a couple of more murders before that happens.


It’s a pretty solid Christie mystery, but a large reason why I love this book is because of Lucy Eylesbarrow. She’s an attractive woman in her early 30s who, despite being a highly gifted academic, decides to have a career as a short time housekeeper. She’s very good at her job, and is therefore in high demand and is very expensive. I love that Christie, though Lucy, points out that taking care of a home is actually a job that requires a number of talents and hard labour. Whenever I feel household chores are just a drudge, I always feel more motivated after re-reading 4.50 from Paddington, because Lucy thinks doing chores are fun. Lucy also proves to be an excellent detective, and she and Miss Marple make a very good team. I’ve always felt it’s a pity Lucy never returns, she would have made a good returning character.


Mild spoilers below the cut.

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Overall I think Christie does a good job with the characters in this book. Yes, they are a selection of her stock characters, but they still have distinct personalities. Like Emma, the spinster daughter, who isn’t at all down trodden, and clearly has her own life and interests, even if she lives a life as her father’s caretaker. Mrs. McGillicuddy, who we only see at the beginning and the end of the book, is still a real human being, and I think it’s a testament to Christie’s skill as a writer that even if Mrs. McGillicuddy is so briefly described, you are still left with a real person. Someone who isn’t very imaginative, who may not be very generous with money, but who still has a large family who loves her, and close friends who look forward to seeing her.

I’ve seen two adaptations of this book. One from 1987 with Joan Hickson. She was a marvellous Miss Marple, but this particular adaptation is one of the weakest in her Marple series. I don’t mind that there are some cuts and changes in the cast, but several of the characters have significant changes to their characters, and none for the better. I’m especially annoyed with how Lucy is portrayed. On the other hand the one from 2004, part of the Agatha Christie’s Miss Marple, is one of the better episodes from that series, even if I don’t think Geraldine McEwan is the best Miss Marple. There are some changes in this adaptation as well, for example Inspector Craddock is made into a relative to Miss Marple.Not that I mind, especially as he is played by the ever charming John Hannah.
hannah: (Marilyn Monroe - mycrime)
hannah ([personal profile] hannah) wrote2025-10-25 09:42 pm

Not hyperbole.

When I held my niece A. this afternoon, I told her parents J. and E. that she weighed a bit more than a golden eagle. They didn't know how much that was. I told them it was about as much as a housecat. They didn't know how much that was, either.

I can get not knowing the golden eagle. It's the housecat that's baffling me. J. and I didn't grow up with a cat and, apparently, neither did E., but I'd think they'd both have a heuristic model for that already. It's possible that given my social circles, I might be over-estimating how common housecats are across the United States.

But that's not the best part of the afternoon.

Months ago, I had a dream - a literal dream - about a russet potato dessert. When I told the internet about it, someone pointed me towards white potato pie. I knew I had to make it someday, and when my younger brother R.'s birthday came around, it seemed like a good fit. Last year it was a carrot pie, and this year it's potato.

The recipe I used made enough batter for two nine-inch pie shells, so he got two pies. I had some blueberries in my freezer, so I made an easy spiced blueberry compote to go with the pie. We all had some this afternoon, and rarely do I get the chance to mean it when I say it was the stuff dreams are made of.
conuly: (Default)
conuly ([personal profile] conuly) wrote2025-10-26 11:48 pm

And, huh. It looks like I lost my bank card

Since I belong to a little bitty credit union, my branch is closed tomorrow and I have to go into the city to get a replacement and, while I'm there, have them fix my name - if they remove my middle initial from my card, my last name will fit properly, easy-peasy. Or I can wait until Monday, since I'm certain I lost it in the house, but it turns out there's another protest tomorrow so I may as well go in.

Anyway, speaking of protests and politics and food banks, [personal profile] petra is offering up fanworks:

If you donate at least $25 in cash or in-kind to a food bank at any point between now and the end of the Trump Administration, and you either share a fandom of mine and want a drabble or fannish poetry, or you want original poetry, drop me a comment, and I will write for you.

So, there you go, that's a win-win for everybody.

Edit: Well! As you might expect, as soon as I posted I happened to roll my chair over my card! It's fine, chair and card are both fine. I still need to make them fix my name, but it can wait.
conuly: (Default)
conuly ([personal profile] conuly) wrote2025-10-25 08:40 pm

Welp, my glasses have reached the point of no return with superglue

This is the last mending they'll take, and I'm not sure how long it'll hold. I've ordered a new pair, and on the one hand I know $100 is cheap - especially for my prescription! - but on the other hand, I didn't want to spend it. And I didn't exactly love my choice of frames, either, but they were inexpensive and fit my pupil distance, so I'll live with them.

(Though, looking on the website, it seems glow in the dark frames are an option!? I would never, sounds like a real visual annoyance, but man, so much respect for anybody who goes in that direction!)

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